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Dokumentasi Workshop Space/Scape :09/07/09-20/08/09 (Bagian 1)

Secara kronologis, transkrip ini akan mengulas secara ringkas apa-apa yang terjadi selama lebih dari satu bulan sejak seri presentasi dimulai, dengan sedikit kilas balik tentang mengapa seri presentasi ini sampai perlu dilakukan.

Latar Belakang
1.    Munculnya berbagai kesulitan dalam membayangkan bentuk kolaborasi karena beragamnya ketertarikan serta disiplin dari pihak yang terlibat dalam proyek ini.
2.    Kesulitan bagi seniman maupun peneliti untuk menajamkan gagasan di hadapan beragamnya ketertarikan terhadap Alun-alun sebagai ruang publik.
3.    Masalah metode menjadi “nomor ke-sekian” setelah pertanyaan pertama dan kedua bisa dipecahkan.

Seri Presentasi dilakukan untuk:
1.    Menyatukan “visi” mengenai keruangan Alun-alun yang mau diolah sebagai tema kerja bersama. Ini dilakukan dengan:
-    Pemaparan tentang karya-karya, metode dan pengalaman terdahulu yang terkait dengan isu ruang, ini dilakukan untuk menelusuri genealogi gagasan  masing-masing individu yang terlibat.
-    Eksplorasi mengenai kemungkinan irisan, baik di tahap gagasan, ketertarikan,  maupun metode dalam menggarap isu ruang di Alun-alun
-    Penajaman irisan kepentingan yang ada untuk diturunkan ke kerja praktis: produksi karya dan penelitian.
2.    Memulai proses kolaborasi jauh sebelum tahap realisasi tapi justru sejak ide awal dirumuskan.
3.    Mengantisipasi batasan-batasan yang mungkin timbul dari  “keliaran” niat, angan-angan, dan cakupan kerja yang mau dicapai dengan mengacu pada pemahaman konteks ruang, waktu, dan sumber daya yang didiskusikan bersama.

Workshop_3069 by you.

Tentang jalannya seri presentasi

A. Pertemuan Pertama (16 Juli 2009)
Dijadwalkan Presentasi: Ferdi dan Anang
Absensi: Nuning, Ferdi, Yoshi, Dina, Antok


Ferdi menyampaikan presentasinya tentang  Sejarah Sehari-hari di Alun-alun, ini didorong,  antara lain, oleh temuan awalnya yang banyak merepresentasikan peristiwa di Alun-alun  dalam narasi besar (pra-kolonial, kolonial, modern) dan cenderung diulang-ulang. Bagian yang hilang dari seragamnya pengamatan ini adalah bagaimana peristiwa sehari-hari juga bisa punya maknanya sendiri: “Bukankah yang berangkat dari persoalan kejadian berkesan, suasana santai , aktivitas bermain-main justru yang paling banyak merubah wajah Alun-alun (selatan) sekarang dengan semakin banyaknya orang yang seperti justru semacam terinspirasi datang kesana?” Tulisan Pak Hersri di blog bisa menjadi satu contoh menarik tentang bagaimana orang muncul dengan pembacaan sejarah yang baru atas Alun-alun. Model pencatatan reflektif seperti ini  layak ditelusuri dalam membaca konteks perubahan sosial dan ke depan materi-materi sejenis yang mau didokumentasikan Ferdi dalam risetnya, termasuk melalui hasil wawancara dengan narasumber di lapangan.

Sementara presentasi Anang ditunda sampai minggu selanjutnya karena yang bersangkutan berhalangan hadir.

Workshop 13 by you.

B. Pertemuan Kedua (23 Juli 2009)
Dijadwalkan Presentasi: Anang, Gembong, Antok
Absensi: Nuning, Yudi, Anto, Yoshi, Wimo, Agung, Anang

Langsung diawali presentasi Anang Saptoto, sharing jawaban dari pertanyaan TOR. Karya Anang yang bersinggungan dengan space kebanyakan berawal dari keterlibatan dengan organisasi lain macam greenmap/mes56. Biasanya metode yang ditempuh adalah  presentasi di ruang publik, pernah juga performance. Tujuannya adalah ingin mendialogkan isu dengan produk yang dibuat. Ketertarikan dengan alun-alun karena ia punya kenangan tersendiri dengan alun-alun. Menurutnya alun-alun sekarang tumpang tindih (istilah Yoshi), dan Anang ingin menelusurinya secara spesifik lewat praktek giliran olahraga di Alun-alun .

Persoalan dipicu Nuning ketika ingin mengembalikan substansi yang lebih luas mengenai mengapa proyek ini dilakukan:
Karya yang seperti apa yang paling cocok dengan proyek alun-alun ini? Bagaimana caranya membuat atau mewujudkannya?

Lebih jauh lagi, pertanyaan Nuning di atas memicu pemikiran:
Apa yang diharapkan dari proyek ini?
Pada karya atau prosesnya sendiri? Pada bagaimana atau sejauh mana karya-karya yang dihasilkan mampu mengundang atau menggugah respon orang banyak. Ataukah juga pada bagaimana proses dari proyek ini menghasilkan kerja kolaborasi yang eksperimentatif sehingga – setidaknya – menggugah inspirasi orang-orang yang terlibat di dalamnya (seniman dan peneliti)?

Kesulitan tampaknya segera membayang dalam keragu-raguan semua orang, ketika dihadapkan pada pertanyaan mengenai bentuk/ wujud karya dan bagaimana mewujudkannya. Hal ini muncul karena kita berhadap-hadapan dengan alun-alun yang sudah begitu dahsyat keberadaannya. Sudah begitu “ruang publiknya”. Sehingga, apapun yang kita pikirkan mengenai karya dan berkarya di alun-alun, akan selalu timbul tenggelam. Seperti halnya timbul-tenggelamnya jalinan peristiwa-peristiwa yang terjadi di setiap saat, di setiap jengkal, dalam perjalanan alun-alun selama ini.

Namun, kalau kita kembali pada semangat awal dari proyek ini, yaitu: “menunjukkan cara bekerjanya alun-alun sebagai ruang publik”, rasanya mulai ada titik awal yang cukup terang. Kita akan memulai proyek dari sini. Kita akan mulai bukan dari karya apa tetapi pada bagaimana kerja merangkai karya (sehingga bisa menunjukkan cara kerja alun-alun).  Sebab, kalau kita teliti kembali, sesungguhnya pembicaraan mengenai karya dengan sendirinya telah mulai teridentifikasi melalui presentasi-presentasi selama diskusi/workshop berlangsung. Beberapa identifikasi dari prasyarat-prasyarat sebuah karya di alun-alun (jika karya tersebut mau “berhasil untuk mengambil bagian dalam lautan peristiwa di alun-alun atau bahkan menguasai alun-alun), misalnya sebagai berikut:
1.    bersifat gado-gado, interdisiplin, intermedia, dll
2.    bersifat negosiatif dan negotiable
3.    membuka respon dan dialog (partisipatif)
4.    bersifat historis
5.    kontekstual (meskipun dilakukan dengan pendekatan kontras/”mengganggu”)
6.    punya kekuatan/kekuasaan yang besar dalam menguasai alun-alun (nggak mungkin dilakukan)

Jadi, agenda workshop ke depan tetap presentasi setiap orang, diteruskan. Sambil dipikirkan bagaimana merangkai setiap karya ataupun tema menjadi sebuah strategi untuk menunjukkan cara kerja alun-alun yang sungguh dahsyat.

Sementara itu, kita sudah punya beberapa ide karya atau tema, yaitu mengenai:
-    mitos alun-alun (Maryanto)
-    galeri dan pasar malam (Wimo dan Yudi)
-    weekend culture (Nuning dan Agung)
-    gerombolan atau kumpulan atau komunitas anak muda (Ferdi)
-    aktivitas tumpang tindih (Anang)

Bagaimana kita mengkolaborasikannya?

(bersambung ke bagian 2)